![]() This was a trend through out the 90s for Goldsmith however it was never quite as blatantly obvious as it is here and it does foreshadow how Goldsmith would score projects in the next few years.Ī lot of trouble plagued this film and that includes the score for the movie. There is also the case of the main theme which is very fun to hear but it does sound like it was molded after Hans Zimmer's Crimson Tide. However some of the more obvious cues that Goldsmith re-uses such as the Arabic theme that presented through out the score was also heavily used in The Mummy soundtrack and Goldsmith practically does a copy and paste of it here. Traces of Legend creep in with the long slur but that's forgivable since a trombone slur can be used to represent anything that's intimidating. It's quite evident here in this score that most of his material is from other scores. ![]() His work in the following years would be weak by comparison and his re-usage of his own material would become even more apparent. This would be considered Jerry Goldsmith's best score of 1999 and considered by many to be his last great score.
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